This week, we cover poet and political activist Yosano Akiko in her drift from icon of the political left to polemicist for the ultranationalist right. What kind of life trajectory drives a person that way? Why did she follow that path? And why did she write so many poems about breasts?
Sources
Garon, Sheldon. Molding Japanese Minds: The State in Everyday Life
Dollase, Hiromi Tsuchiya. “Awakening Female Sexuality in Yosano Akiko’s Midaregami.” Simply Haiku: Autumn, 2005.
Rabson, Steve. “Yosano Akiko on War: To Give One’s Life or Not: A Question of Which War.” The Journal of the Association of Teachers of Japanese 25, No. 1., Special Issue: Yosano Akiko.
Larson, Phyllis Hyland. “Yosano Akiko and the Re-Creation of the Female Self: An Autogynography.” From the same edition of the above journal.
Images
Yosano Akiko as a younger woman.
Yosano Tekkan in his prime. To be fair, he’s quite a looker, though I’m not sure he’s 400 poems-worth of good looking.
Yosano Akiko later in life.
Though one of Yosano Akiko’s missions was to push for women to not just be valued for motherhood, she herself was quite the mother — to 13 children!
Yosano Akiko and Yosano Tekkan together early in their marriage.
Though like so much else of old Tokyo, the Yosano home is no longer standing, there is a nice little monument on its former site.
