Episode 414 – The Prince

This week, we’re talking about the story of a man whose story we don’t really know: the imperial prince Shotoku, who despite being a near-unknown historically is one of the most legendary figures in Japanese history. How is that possible, and what does that say about his unique role and symbolism?

Sources

Carr, Kevin Grey. Plotting the Prince: Shotoku Cults and the Mapping of Medieval Japanese Buddhism.

Pradel, Chari. “Shotoku Mandara and the Cult of Prince Shotoku in the Kamakura Period.” Artibus Asiae 68 No 2 (2008).

Pradel, Chari. “Portrait of Prince Shotoku and Two Princes: From Devotional Painting to Imperial Object.” Artibus Asiae 74, No 1 (2014).

The Nihon Shoki, Book XXII (the reign of Empress Suiko).

Columbia’s Asia for Educators program has a good translation of Shotoku’s 17 Article Constitution.

An excellent article by Dr. Delmer Brown for the Japanese Historical Text Initiative on the Nihon Shoki.

Images

A painting from Horyuji’s collection, said to be of Shotoku and his two sons.
The Tenjukoku Mandara
Prince Shotoku on a 1958 10000 yen bank note.
A Kamakura era painting of Shotoku and two attendants.
Prince Shotoku, as sketched by the Edo artist Kikuchi Yosai. Veneration of Shotoku did decrease during the Edo period, but by this point he was such a cultural fixture that it hardly mattered.
The Shakyamuni triad at Horyuji.

 

1 thought on “Episode 414 – The Prince”

  1. I first learned about Shotoku from an exhibit on the mangaka Ryoko Yamagishi. I noticed you mentioned that he’s traditionally drawn very feminine. He extremely androgynous in her manga. Have you heard of it? What are your thoughts on it?

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