This week: the manga industry during World War II. Plus some thoughts on the development of shojo manga, and finally a look at Tezuka Osamu and the ways in which his work helped create the manga market that exists today.
Sources
An amazing Tokyo Weekender article on Hasegawa Machiko by Matthew Hernon.
Marks, Andreas. Japan’s Manga Revolution: From Painted Scrolls to Comic Books, 1680-1920
Koyama-Richard, Brigitte, ed. One Thousand Years of Manga.
Rousmaniere, Nicole Coolidge and Matsuba Ryoko, eds. Manga: The Citi Exhibition at the British Museum
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I’m curious about some of the trans-pacific aspects of manga. How and when did manga become viewed as a viable export? Did MITI (or later METI) get involved in this process? How did western (especially big players like DC and Marvel) influence their Japanese counterparts and presumably vice vaersa?