Today, we’re discussing the evolution of a unique form of modern Japanese art: shin hanga, or new woodblocks, which attempted to combine Western painting techniques with woodblock printing. They’re not as well remembered as old ukiyo-e prints, but say something very interesting about the tension between modernity and tradition in 20th century Japan!
Sources
Okamoto, Hiromi and Henry D. Smith II. “Ukiyo-e for Modern Japan: The Legacy of Watanabe Shozaburo.” in The New Wave: Twentieth-century Japanese Prints from the Robert O. Muller Collection.
A basic introduction to the woodblock printing process is described here.
A whole series of sources on the relationship between impressionists, Japonisme, and woodblock prints: Source 1, 2, 3, 4
Images and Media
Awesome episode on a really cool topic! I wasn’t aware of the distinction between shin hanga and ukiyo-e before now but what I now recognize to be shin hanga have been some of my favorite pieces of art for a while. Learned a bunch from this. Keep up the great work!
Hi,
Nice episode, thanks!
This autumn I visited an exibition of Shin hanga in Amsterdam in a small private run museum. The newspaper artikel linked below shows some of the exhibited works. Recommended.
https://www.nrc.nl/nieuws/2021/11/12/met-een-strolaars-in-de-japanse-sneeuw-a4065258
https://www.nihon-no-hanga.nl/?page_id=383