Episode 581 – The Men of Chivalry, Part 1

This week, we’re starting a history of the most famous genre in the history of Japanese film: the jidaigeki, and its related genre of the ninkyo eiga. This week: what do we know about early jidaigeki, and how do they fit into the wider history of early Japanese film?

Sources

Spalding, Lisa and David Desser. “Period Films of the Prewar Era,” in Reframing Japanese Cinema: Authorship, Genre, History, ed. Arthur Nolletti, Jr and David Desser.

Anderson, Joseph L and Donald Ritchie. The Japanese Film: Art and Industry (Expanded Edition).

A great article on the benshi from the Japan Society

Images

Onoe Matsunosuke, a.k.a. “crazy-eyes Matsu”, one of Japan’s first film stars. This is from his 1910 film Chushingura, where he plays lead.
Makino Shozo, the father of the jidaigeki, in the 1920s
Roningai, a film by Makino Shozo’s son, from 1928. You can see how even here the aesthetic will have a big influence on postwar film.
Poster for the 1938 Jidaigeki Humanity and Paper Balloons (Ninjo Kami Fusen)
Still from Itami Mansaku’s 1932 Kokushi Muso. The actor Kataoka Chiezo plays Ise no Kami (the lead), with his daughter being played by Yamada Isuzu.

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